On the occasion of MiArt and Salone del Mobile 2024, creative director Clemente Tivioli continues TIVIOLI’s ongoing dedication to the applied arts, inviting the Paris-based PRON gallery to showcase new works by the Korean ceramicist Jane Yang D’Haene inside the historic Milanese boutique. The exhibition follows TIVIOLI’s recent residence in Paris last December, hosted by PRON founders Alessandro Pron and Raphaëlla Riboud-Seydoux for an exclusive showcase of unique TIVIOLI designs in their Parisian gallery. Sharing a passion and commitment for beauty and cultural exchange within the international artistic community, the partnership between TIVIOLI and PRON represents a creative meeting of minds, fostering new links between fashion, design, the fine arts and crafts. 

From April 11 – 17th in TIVIOLI’s subterranean gallery on the via Santo Spirito, Yang D’Haene reveals 9 new ceramic vessels; works with roots in the Korean tradition of dal-hang-ari (달항아리) or ‘moon jars’, evolving the artist’s earliest recollections of the Korean landscape into new expressions of the human body. Hand-thrown on the wheel, Yang D’Haene fuses Eastern and Western traditions, combining porcelain and stoneware with gestural incisions and encrustations that disrupt the symmetry of the form creating bold surfaces that challenge tradition. Each vessel’s unique profile allows for new readings of the medium in relation to both the artist and the viewer’s lived experience of pain and beauty. Framed by a monumental canvas by the Italian Neo-Expressionist painter Sandro Chia, the central presentation of 9 individual columns creates a static composition allowing viewers a 360° experience of each piece. “Assembled as a series, the final products make these life affirming narratives of resilience immediately relatable. 

Though pieces have undergone an artistic process akin to surgery and scarification, they are undoubtedly whole and engaging in a way far beyond the clay bodies from which they began. My wish is to challenge viewers to see perfection as irrelevant, impossible, or only a beginning: the power of these pieces is in the body’s vulnerability and triumph”. — Jane Yang d’Haene

Dan Thawley